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UID:1355@book.weld.se
DTSTART;TZID=Europe/Stockholm:20250517T191500
DTEND;TZID=Europe/Stockholm:20250517T200000
DTSTAMP:20250411T090130Z
URL:https://book.weld.se/e/npp-2025-can-you-feel-it-a-dance-concert-vincen
 t-jonsson-feat-shai-faran/
SUMMARY:NPP 2025: Vincent Jonsson / Can You Feel It? - A Dance Concert feat
 . Shai Faran
DESCRIPTION:Can You Feel It? is a dynamic\, pop\, funky\, and abstract meet
 ing between dance\, music and audience. In this piece\, dance takes center
  stage inside of a concert. Things are what there are\, also not and also 
 more. This work does not want to define or represent things\, it is about 
 activating and engaging with them\, allowing something new to emerge from 
 the encounter and create resonances that are greater than the sum of its p
 arts\, 1+1=3.\n\nIt's a dance encounter that has the potential to open up 
 resonant relationships between performer\, audience\, dance\, music\, you\
 , me\, us\, here\, and now. It wants to activate and rediscover our senses
  and call us back to the body.\n\nIn this work\, I focus on paying attenti
 on\, listening\, and being in conversation with others and the environment
  through dancing. I am interested in how dancing transforms a space\, heig
 htens awareness of the room and the time spent within it\, and how it shap
 es my attention. This allows me to become a conscious instrumentalist and 
 composer with the dancing. This makes it possible for me to be in dialogue
  with space\, music\, and audience.\n\nFor me\, being in dialogue with di
 ﬀerent elements and listening to what is already present holds significa
 nt potential. By engaging with the in-between spaces\, where things meet a
 nd interact\, I can listen to the resonances that emerge from these encoun
 ters. This process helps me to be in the moment\, both guiding from the ba
 ck seat and being taken for a ride. It allows me to step away from an inte
 llectualized approach and instead engage with the experience through sensa
 tion\, feeling what it does rather than what it means or wants.\n\n\n\nCon
 cept and Choreography: Vincent Jonsson\nOn stage: Vincent Jonsson\, with g
 uest artists Shai Faran (17/5) and Liz Kinoshita (18/5)\nSupervision: Bjö
 rn Säfsten\nOutside Eye: Rebecka Berchtold\nLogo Design: Linéa Alfredsso
 n\nThanks to: Weld\, SKH\, DansPlats Skog\, Lake Studios\, Riikka Lakea an
 d everyone that has spend\ntime in the studio with me.\n\n\n\nVINCENT JONS
 SON\nVincent Jonsson\, a Swedish dance artist based in Stockholm and Copen
 hagen. His artistic\npractice is an ongoing exploration of how dance encou
 nters and is encountered\, from a practitioner's inside perspective as wel
 l as the audience outside perspective. Both on stage\, in\nthe studio and 
 in social dance settings. It is in this gray zone of meetings\, encounters
  and contexthis work unfolds. It makes his work relational\, plastic\, ite
 rative and it is grounded in thetransformative potential of dance. His pra
 ctice moves between dancing\, performing\, teaching andchoreographing.\n\n
 He is a graduate of the four-year Dance and Choreography program at The Da
 nish National\nSchool of Performing Arts (DDSKS) in 2017. He has created t
 hree solo works\, Can You Feel It?\n(2024)\, Relatable (2019)\, and Creatu
 re 1 (2017) and collaborates in the duo A cCompany Dancing\nwith Riikka La
 kea. He is also a member of the IN action dance collective and the initiat
 or of th regional dance development project What Can Dance Do? in collabor
 ation with Dans i Öst.\nAs a performer\, he has worked with artists such 
 as Tina Tarpgaard\, My Grönholdt\, and Marina\nAbramović\, amongst other
 s. As a teacher\, he has led workshops and classes at institutions\ninclud
 ing London Contemporary Dance School\, Stockholm University of the Arts (S
 KH/DOCH)\,\nThe Danish National School of Performing Arts (DDSKS)\, Balett
 akademien Stockholm\, and SOZO\nVisions in Motion.\n\nHe has also taught c
 ompany classes at Skånes Dansteater and CORPUS at The Royal Danish\nTheat
 re in Copenhagen\, as well as professional classes for freelance dancers i
 n cities such as\nCopenhagen\, Helsinki\, Stockholm\, London\, Berlin\, Ka
 ssel\, Umeå\, Malmö\, Toronto\, and Halifax.\nThis summer\, Vincent is f
 inishing a Master in Fine Arts at the New Performative Practices program a
 t Stockholm University of the Arts.\n\nSHAI FARAN\nBorn in Israel\, Shai F
 aran studied dance at the Misgav High School and at the Haifa Art\nfoundat
 ion\, before following a post graduate program at SEAD (Salzburg Experimen
 tal Academy\nof Dance). As dancer and performer\, she has worked with vari
 ous dance companies (Cullberg\, Kibbutz Contemporary Dance Company II\, Si
 gma Ensemble)\, as well as with independent choreographers such as Jule Fl
 ierl\, Matej Kejzer\, Maya M.Caroll\, Yuval Pick\, Maura Morales Alessandr
 o Sciarroni\, David Hernandez\, Martin Kilvady and more.\n\nWhile working 
 as a dancer and as a choreographer\, Shai has been teaching in numerous da
 nce institutions and festivals (K3 Hamburg\, Tanzfabrik Berlin\, Danscentr
 um Stockholm\, Dance Atelier Reykjavik\, Circuit-Est Choreographic Center 
 Montreal\, Deltebre Dansa)\, in Bachelor and Master education programs (DD
 SKS in Copenhagen and Holstebro\, Iceland University of arts\, La-Manufact
 ure in Lausanne\, Stockholm University of Arts\, ZZT Hochschule für Musik
  &amp\; Tanz in\nCologne\, Kelim Choreography Center Tel-Aviv…) and in p
 rofessional dance companies (Cullberg-\nStockholm\, Corpus- Copenhagen\, I
 celand Dance Company\, Scottish Dance Theater). As a choreographer she won
  scholarships and support from various institutions such as the\nAmerica- 
 Israel Cultural Foundation\, the foundation named after Ehud Manor\, the c
 ultural senate of Berlin\, Fonds Darstellende Künste and Neu Start Kultur
  Fond. For the past decade she has been developing her own artistic and ch
 oreographic research while working as an interpreter and performer in othe
 r people's works.\n\n\n\nNPP 2025\nDuring two weeks in May\, students at t
 he Master's Programme New Performative Practices (NPP) invite you to take 
 part of thirteen presentations of artistic practice. You are welcome to pa
 rticipate\, witness\, watch\, listen\, share\, and sometimes intimately en
 gage with these artists’ curiosities and performative explorations in ve
 nues throughout Stockholm 6–18 May 2025.\n\nIn the presentation each of 
 the thirteen artists proposes a specific way of inhabiting and unveiling t
 he artistic practice with which they are currently engaged. In these encou
 nters\, audiences can expect a wide range of approaches to sharing their p
 ractice through formats spanning from staged to non staged performances\, 
 performance installations\, participatory performances\, publishing or oth
 er objects and situations as sites for performative investigations.\n\nStu
 dents on the MA program New Performative Practices are experienced practit
 ioners from different fields. In their education at SKH Dance\, these perf
 orming artists are given the context and support to delve into their own h
 istories\, refine and develop their research methods and shape sustainable
  approaches to support ongoing practices in their chosen field of art. The
  program is research preparatory\, qualifying the student for a Master's d
 egree in Choreography with a focus on performative practices.\n\nWeld is o
 ne of this year's hosts and here you will meet Anna Biczok\, Zhana Penchev
 a\, Anna Apergi\, Vincent Jonsson and Martin Sieweke.\n\nSee full program 
 at uniarts.se
ATTACH;FMTTYPE=image/jpeg:https://book.weld.se/wp-content/uploads/2025/04/
 Vincent-Can-you-feel-it_-cover-photo-wide-photo-scaled.jpg
LOCATION:Weld\, Norrtullsgatan 7\, Stockholm\, Sverige
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 m\, Sverige;X-APPLE-RADIUS=100;X-TITLE=Weld:geo:0,0
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BEGIN:DAYLIGHT
DTSTART:20250330T030000
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